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How To
by Julie Morstad
AGES: 4 to 8
PAGES: 36
SIZE:
RIGHTS: World
PRICES: $16.95 US, $18.95 CAN
HARDCOVER: 978-1-897476-57-4

CCBC Best Books for Kids and Teens 2013 - STAR

Best Books for Young People 2013 - Quill and Quire

 

Starred Review - School Library Journal, PreS-Gr 1–A treatise on “how-tos,” including how to go fast, how to see the wind, and how to be brave. More imaginative selections include how to wash your face (look up in the rain), how to watch where you’re going (follow the movements of your shadow), and how to wonder (gaze at the night sky). Morstad’s spare text and whimsical fine-line drawings with pastel enhancements portray children encountering new experiences enriched with whimsy and quiet wit. This guide will engage and delight youngsters. Ideal for one-on-one sharing, it will be read again and again.

 

Starred Review - KIRKUS REVIEW

 

Smart, clean design and a text built around unpunctuated phrases offer room to pause, ponder and discuss in this book of quiet joy.

Ample white space foregrounds a multicultural cast, whose patterned clothing, props and minimal, but visually exciting, settings take center stage. In the opening spread, “how to go fast,” readers consider options as eight youngsters whoosh by, one riding a scooter, another navigating stilts, a third sporting butterfly wings. The parade’s leader is nearly off the page. “How to see the wind” prompts conversation about the kites, grass and hair shown at various angles—and the metaphysical question itself. Morstad explores topics of interest to children, from “staying close” (two girls sharing one braid) to disappearing—a scene in which meaning comes first from the curtained image; the text is nearly invisible. She intersperses colorful backgrounds, as well as single- and double-spread compositions for an overall effect that elicits anticipation at every turn. As in this Canadian’s illustrations for the work of other authors (Caroline Woodward’s Singing Away the Dark, 2010; Sara O’Leary’s When I Was Small, 2012), the characters’ delicate features exhibit an absorption in their activities that simultaneously signals the seriousness and satisfaction of concentration. The “be happy” conclusion portrays unself-conscious movement—including that initial runner, leaving the book.

In these inventive scenarios, children will recognize themselves and find new ways to be. (Picture book. 2-6)

 

ForeWord Magazine:

Another stunner from the gifted Julie Morstad. "How To" relays visual instructions on such events as washing your socks (stand in a puddle), watching the wind (fly kids), disappearing (hide behind a curtain), adn watching where you're going (track your shadow). A perfect way to elevate familiar children's activities to capture their everyday magic. Innovative cropping of delicate drawings makes them even more precious.

 

Starred Review, Q & Q

 

From the outset, it’s clear that Julie Morstad’s How To is a very special book. Each page features the Vancouver artist’s trademark pen-and-ink drawings of kids just being kids: taking things slow (by lying in a field surrounded by butterflies, flowers, and tall grass), feeling the breeze (by riding a bike downhill), and making music (by whacking pots and pans with a spoon). All of Morstad’s illustrations are beautifully realized, most of them with a spot of silliness that will keep young readers’ interest piqued just enough for that last, sleepy book before bedtime.

The first page sets the tone. Morstad’s parade of kids trooping across the page give just a few examples of “How to go fast,” but serve to open the imagination to myriad others: walking, running, dancing, bouncing, or twirling, alone or in the company of friends. There are as many ways to go fast as there are kids to imagine them.

“How to be brave” and “How to make friends” might bring on misty eyes and a lump in the throat, while “How to disappear,” “How to make a sandwich,” and “How to be a mermaid” are guaranteed to elicit giggles, and are worth a try at playtime or in the bath.

Compared with countless books that try so very hard to teach a lesson or prove a point, this one delights with its easy, unforced relationship between words and pictures. The text is very short, but any parent craving something to talk to their child about at storytime will find opportunities to stretch it out – children can discuss what makes them feel brave or happy, or describe the sensation of the wind on their skin. They can draw it. They can act it out. They can enjoy it, and so will you. Rarely are books so alive.

 

Crooked House Review:

Kids don't need to be told how to be kids, they just are, and How To, this new picture book by Julie Morstad celebrates this fact. (You may remember Julie Morstad's illustrations from Sara O'Leary's gorgeous Henry books.)

 

The very best picture books are real works of art, with each word of text having the importance and weight of a word in a poem and each illustration expanding on those fraught, heightened words in beautiful ways, whether they seem perfectly appropriate or completely unexpected. This is one of those books.

 

 

Deakin Review of Children's Literature

 

Anyone who is a fan of creative and lateral thinking will love this book. The simple text and illustrations evoke complex connections and imagination. The title gives away that it is a “how to…” book but the things to do and learn are not your usual “… make cookies” or “… build a birdhouse.” I love that the text problems are answered by text-less illustrations. For example, “how to make new friends” is answered by an image of a child making sidewalk chalk drawings of various creatures (including people) and “how to wash your socks” is accompanied by a group of children stomping in a puddle of clean-looking water. While a few “how to’s” are answered with several possibilities, most have only one. This might be considered a weakness or, on further reflection, the multiple-answer examples suggest a pattern so the reader will search for their own variations.

I’ll admit to some discomfort with the choice to make all the “how to” phrases unpunctuated and in lower case letters because I believe proper writing is learned through example. However, it is a tiny quibble about an inspirational book. I will be sure to feel the breeze and appreciate the face wash on my bike ride home in the rain.

 

Reading Today

 

How To vividly portrays the unlimited possibilities of imagination. Morstad represents a playful game through her illustrative narrative and adds poetic vibrancy with her words. Her gorgeous illustrations show how to do things in a number of ways such as going fast or slow, feeling a breeze, hiding, sleeping, making friends, and many other essential activities. All these small things fill up an ordinary day and make people happy. Starting with the book jacket, the author sets a joyful mood, which makes the reader wish to join the main characters. Morstad uses lines to not only animate her characters but also to provide an energetic and bright flow to her story. Thus, readers will be easily transported by the depicted scenes, and the book will become a must-have title for a classroom library.

 

Shelf Elf

Morstad’s illustrations are delicate, with a soft, natural palette and fine lines. Plenty of white space invites you to pause and really look at what is there. It’s a book that invites you to try new things, to get creative, to go outside, to dream. The final pages picture all kinds of dancing kids, paired up with the last “how to”: how to be happy. I’d say that if you try out some of the ideas in how to, you’ll be well on your way to making your own happiness.

 

The Illustrated Forest:

"Julie Morstad’s book is full of longing and whimsy; a book for daydreamers and those with an unlimited imagination.  This is a sure fire way to maintain that feeling."